55 pages • 1 hour read
George OrwellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Chapter Summaries & Analyses
Flory heads to the club early the next morning, planning to finally formally propose to Elizabeth. As he walks, he sees a young English cavalry officer riding a pony. The man is handsome and has a fearless and brutal look about him, which intimidates Flory. The officer introduces himself as Verrall of the Military Police and explains that he arrived last night with a company of his men to stand by in case the rumored native uprising begins. Flory realizes that Verrall is bored speaking to him and feels old and shabby standing next to the handsome, young, well-bred military officer. These feelings only increase when Verrall demonstrates polo moves on his horse with “matchless grace and with extraordinary solemnity” (162).
Flory looks up, realizes that Elizabeth has been watching Verrall from her gate, and asks if he can borrow one of the other horses. Verrall is annoyed that Flory has not gone away, but acquiesces. In an attempt to impress Elizabeth, Flory plans to execute the same polo move. However, he is instantly thrown from the horse because the saddle had not been affixed properly. Bleeding on the ground, Flory greets Elizabeth, but she completely ignores him.
By George Orwell
1984
1984
George Orwell
A Hanging
A Hanging
George Orwell
Animal Farm
Animal Farm
George Orwell
Coming Up for Air
Coming Up for Air
George Orwell
Down and Out in Paris and London
Down and Out in Paris and London
George Orwell
Homage To Catalonia
Homage To Catalonia
George Orwell
Keep the Aspidistra Flying
Keep the Aspidistra Flying
George Orwell
Politics and the English Language
Politics and the English Language
George Orwell
Shooting an Elephant
Shooting an Elephant
George Orwell
Such, Such Were the Joys
Such, Such Were the Joys
George Orwell
The Road to Wigan Pier
The Road to Wigan Pier
George Orwell
Why I Write
Why I Write
George Orwell